Public Theatre - Newman
Broadway (Off) - Etats-Unis

Construction: 1967

Topologie du théâtre

Nombre de salles actives: 1
Salle 1: (299)    1967 - Actif

Accès

En métro:
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Evolution

Bâtiment:
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Propriétaire(s)


Remarquable

299 
1967 - Actif

Musical
Original

2) Hamilton (Original)   

Joué durant  2 mois 2 semaines

Première preview: 20 January 2015
Première: 17 February 2015
Dernière: 03 May 2015

Compositeur: Lin-Manuel Miranda •  
Parolier: Lin-Manuel Miranda •  
Libettiste: Lin-Manuel Miranda •  
Metteur en scène: Thomas Kail •  
Chorégraphe: Andy Blankenbuehler •  
Avec:  


Commentaire: Directed by Thomas Kail and choreographed by Andy Blankenbuehler, the musical debuted Off-Broadway at The Public Theater, under the supervision of the Public's Artistic Director Oskar Eustis, with previews starting on January 20, 2015 and officially opening on February 17. The production was extended twice, first to April 5 and then to May 3.
Chernow served as historical consultant to the production.
The show opened to universal acclaim according to review aggregator Did He Like It.  (plus) 


Presse:

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Musical
Original

1) Road Show (Original)

Joué durant  1 mois 1 semaine

Première preview: 28 October 2008
Première: 18 November 2008
Dernière: 28 December 2008

Compositeur: Stephen Sondheim •  
Parolier: Stephen Sondheim •  
Libettiste: John Weidman •  
Metteur en scène: John Doyle •  
Chorégraphe:  
Avec: Addison Mizner - Alexander Gemignani / Wilson Mizner - Michael Cerveris / Hollis Bessemer - Claybourne Elder / Mama Mizner - Alma Cuervo / Papa Mizner - William Parry / Ensemble - Aisha de Haas, Colleen Fitzpatrick, David Garry, Mylinda Hull, Mel Johnson, Jr., Orville Mendoza, Anne L. Nathan, Tom Nelis, Matthew Stocke, Katrina Yaukey, William Youmans and Kristine Zbornik 


Commentaire: This production won the 2009 Obie Award for Music and Lyrics and the Drama Desk Award, Outstanding Lyrics (Sondheim).  (plus) 


Presse: Brantley in his review of the 2008 production, praised Ceveris and Gemignani, but declares that, "The problem is that this musical’s travelogue structure precludes its digging deep. It hints at dark and shimmering glories beneath the surface that it never fully mines. Like its leading characters, 'Road Show' doesn’t quite know what to do with the riches at its disposal."

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